EXHIBIT PROPOSAL for Carol Williams: “The Craftivist”

My work with fabrics and buttons is a repurposing of the traditionally feminine art form of sewing and quilting, which has been historically classified as craft.  But I believe that quilting, depicted as folk art associated with the activity of rural women, both Black and white, has been underrated as the true art form that it is. My exhibit uses “women’s work” of sewing to make political commentary.   I began using the term “Craftivist” last year, which describes how art and activism converge as a unique vehicle of social messaging.

I compare my pieces to political cartoons, but with textiles and buttons rather than pen and paper. Each of my hangings tells a story, describes an experience, or illustrates the double standards of which we are all guilty.  The framing I use for mounting is black fencing wire, with the edges twisted into decorative designs that often expand on the theme of the artwork itself.

 

My exhibit in its entirety includes art and essays meant to stimulate a conversation with the viewer and reader.  The responses to my work indicate that many people are seeking an outlet to the anger, anxiety and angst of the past 5 years, and are relieved and comforted to see words and works expressing what they feel but cannot find the language to say.  A docent at my solo exhibit in Frederick, MD sensed that “people are ready to dialogue in other mediums than just talking, watching the news, or sharing their feelings with friends.”  Another local artist and fellow veteran described my artwork as “American Gothic with Grenades.”  As complimentary as that was, I find it much more challenging to present ideas with humor, irony, and lots of color.  I avoid confrontation, criticism and name-calling; if my work can’t educate or persuade, at least it might be enjoyable for those who don’t agree.  I’ve been told it is also family-friendly.

 

My proposed exhibit consists of over 30 quilted wall hangings.  My self-funded exhibits also include up to a dozen 2’ x 3’ posters of my Editorial Columns published in a variety of newspapers, including the Baltimore Sun, the Charleston (WV) Gazette-Mail, the Martinsburg (WV) Journal and others, illustrated with graphics that amplify the subject matter, presented in 6’ stands that I provide.  One side is left available for more artwork.  They create a “room inside a room” that expands the space, and gives more privacy to the viewers.

I also make available copies of my book titled “the Age of Uterine Law,” a bound collection of 35 of my articles interspersed with 33 color illustrations of my artwork.